You can use this reading as a baseline from which to match all of your other audio clips. This allows you to quickly reference the loudest part of your clip to see if it needs to be adjusted. One of the most useful aspects of this dialogue box is the Peak Amplitude readout. You can make gain adjustments to one or multiple clips at the same time. Selecting a clip in the project panel will naturally adjust the master clip, affecting all corresponding clips in timelines. Selecting a clip in your timeline will only adjust the gain of that particular clip. You can access it by grabbing a clip and selecting Clip > Audio Options > Audio Gain, or just by pressing the shortcut key G. This little tool offers a number of different features. Therefore I introduce to you the Audio Gain dialogue box. As we all know, however, audio is rarely recorded properly.
Speaking of sufficient levels, if you’re working with audio that was recorded properly, then in post you shouldn’t have to make many adjustments to the gain. Remember, when you record audio you must adjust the gain to get sufficient levels. Think of gain as the loudness of the audio source. You can visualize the gain of an audio clip via audio waveforms in the source and/or timeline panels, while you can view volume via audio meters. Gain generally refers to the input level of an audio clip, while volume refers to the output. When working with audio in Adobe Premiere Pro, don’t get your terminology mixed up-gain is separate from volume. And before you ask, no, none of these tools is Adobe Audition.Īdjust Gain with the Audio Gain Dialogue Box Below I’m going to show you five different ways to edit audio with five particular tools inside of Premiere Pro. But remember, it’s not the tool that matters, but how you use it. Adobe Premiere Pro provides users with a plethora of great tools for editing audio, including mixers, meters, effects, and panels.
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